Favorite Sentences (cont.)

 
 
 
 
 

“No more diving into pools of chlorinated water lit green from below. No more ball games played out under floodlights. No more porch lights with moths fluttering on summer lights. No more trains running under the surface of cities on the dazzling power of the electric third rail. No more cities. No more films, except rarely, except with a generator drowning out half the dialogue, and only then for the first little while until the fuel for the generators ran out, because automobile gas goes stale after two or three years. Aviation gas lasts longer, but it was difficult to come by.
No more screens shining in the half-light as people raise their phones above the crowd to take photographs of concert stages. No more concert stages lit by candy-colored halogens, no more electronica, punk, electric guitars.
No more pharmaceuticals. No more certainty of surviving a scratch on one’s hand, a cut on the finger while chopping vegetables for dinner, a dog bite.
No more flights. No more towns glimpsed from the sky through airplane windows, points of glimmering light; no more looking down from thirty thousand feet and imagining the lives lit up by those lights at that moment. No more airplanes, no more requests to put your tray table in its upright and locked position—but no, this wasn’t true, there were still airplanes here and there. They stood dormant on runways and in hangars. They collected snow on their wings. In the cold months, they were ideal for food storage. In summer the ones near orchards were filled with trays of fruit that dehydrated in the heat. Teenagers snuck into them to have sex. Rust blossomed and streaked.” (Emily St. John Mandel, Station Eleven)

 


“Late Monday night I got a message from JB.

I’ve been thinking, JB wrote. When you fall in love with a book, is it the character or the author you’re falling in love with?

HungryGhost: I mean, I guess both?
JB: And only one of them is real.

True, I admitted.

And the fake one is the only one you actually get to know. But you can kind of feel the author
there, beneath the surface of the fake world you’re inhabiting. Their imagination is the water
you’re swimming in, the air you’re breathing. They’ve made every table and every chair and
every person in the whole book.” (Rufi Thorpe, Margo’s Got Money Troubles)



“Yes, those were luminous September days. The afternoon light pearling, the mood alert, turned-on, compassionate.”

“I didn't know how badly I had needed them and how I'd been waiting for them, but I endured it, my joy, don't ever forget this moment, and Simone said, ‘Happy birthday, little one.’” (Both: Stephanie Danler, Sweetbitter)